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London National Gallery Top 20 04 Sandro Botticelli - Venus and Mars London National Gallery Top 20 05 Leonardo da Vinci - The Virgin Of The Rocks London National Gallery Top 20 06 Giovanni Bellini - The Doge Leonardo Loredan London National Gallery Top 20 07 Michelangelo - The Entombment London National Gallery Top 20 08 Quinten Massys - A Grotesque Old Woman
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London National Gallery Top 20 06 Giovanni Bellini - The Doge Leonardo Loredan  [7 of 21]


Giovanni Bellini - The Doge Leonardo Loredan, 1501-4, 62 x 45cm. Leonardo Loredan was the Doge (head of state) of the Venetian Republic from 1501-21. He is shown here wearing his robes of state for this formal portrait, including the hat and ornate buttons. The expression on the right, lit side, of his face is more severe, while the left side, in shadow, is more benevolent. By graduating the blue of the background, more intense towards the top and lighter at the bottom, Bellini invokes the sky. The strong directionality of the light and its reflections in Loredon’s eyes suggest that he is looking towards the setting sun. But this hint of time passing, combined with Loredon’s aged face, recalls the old comparison between the duration of the day and the span of human life, and the inevitable coming of the night.
London National Gallery Top 20 06 Giovanni Bellini - The Doge Leonardo Loredan Giovanni Bellini - The Doge Leonardo Loredan, 1501-4, 62 x 45cm. Leonardo Loredan was the Doge (head of state) of the Venetian Republic from 1501-21. He is shown here wearing his robes of state for this formal portrait, including the hat and ornate buttons. The expression on the right, lit side, of his face is more severe, while the left side, in shadow, is more benevolent. By graduating the blue of the background, more intense towards the top and lighter at the bottom, Bellini invokes the sky. The strong directionality of the light and its reflections in Loredon’s eyes suggest that he is looking towards the setting sun. But this hint of time passing, combined with Loredon’s aged face, recalls the old comparison between the duration of the day and the span of human life, and the inevitable coming of the night.